Rethinking Power Relations of Knowledge Production

This post was written by Nadia Murady, a Research Master’s student at the University of Amsterdam. The conference ‘Global Perspectives on Platforms and Cultural Production’ addressed a wide range of issues and research areas. The two-day conference aimed to highlight a global perspective on these topics, steering away from a Eurocentric perspective. It facilitated an…

Interrogating the ‘Global’

This post was written by Lars Klute, Research Master’s student, University of Amsterdam Interrogating the ‘Global’ What exactly does the ‘Global’ in Global Digital Cultures mean? Staking out this field, the website of the University of Amsterdam’s research priority area Global Digital Cultures (GDC) uses phrases such as “concerns the global variety of daily cultural…

What is Authentic?

This post was written by Gaurika Chaturvedi, Research Master’s student, New Media & Digital Culture, University of Amsterdam What is authentic? This is a question that creators, audiences, advertisers, and researchers all ask themselves. Although that last group is preoccupied with how others perceive authenticity, they also have their own ideas. Due to a bit…

Affective Publics and Defective Politics

This post was written by Dylan O’Sullivan, a Research Masters student in New Media and Digital Culture at the University of Amsterdam. I. #CancelSpotify In the words of Bloomberg columnist Lionel Laurent, Spotify is having a “Facebook moment” (Ghosh, 2022). On the 1st of January, a group of scientific and medical professionals published “An Open…

Expectations of the Transparency Agenda in Brazil

This post was written by Sandy Rafaela Krambeck, a Master’s student in New Media and Digital Culture at the University of Amsterdam. Brazil established its Access to Information Law (LAI) in 2012, which opened up possibilities to develop databases that can be subjected to new experiences with Artificial Intelligence (AI). Operação Serenata de Amor (OSA)…