This post was written by Tristan Bannerman a Research Master’s student at the University of Amsterdam. A major theme of the recent GDC conference Global Perspectives on Platforms and Cultural Production was that of the sense of insecurity in labor and life that we find online, more succinctly we would say precarity. Precariousness in many…
DetailsThis post was written by Nadia Murady, a Research Master’s student at the University of Amsterdam. The conference ‘Global Perspectives on Platforms and Cultural Production’ addressed a wide range of issues and research areas. The two-day conference aimed to highlight a global perspective on these topics, steering away from a Eurocentric perspective. It facilitated an…
DetailsThis post is written by Sara Gelao, a Research Master’s student at the University of Amsterdam. Introduction Labor: digital, relational, immaterial, affective, cognitive, precarious, cultural, creative, free. All these buzzwords are an attempt to define what labor is today, fluid as it is. None of them is mutually exclusive, in fact, they all co-exist. What…
DetailsThis post was written by Sarah Vorndran, a Research Master’s student in Media Studies at the University of Amsterdam. And so it dawned on me – We have entered the era of the DAW Trying to achieve hip-hop’s beloved flow without a beat is like boiling pasta without water – it is possible but hardly…
DetailsThis post was written by Jasmin Leech, New Media and Digital Culture Research Master’s student, University of Amsterdam Introduction Value is an abstract, ever-evolving, and shifting concept. It informs what labor we perform; how we get compensated for it, and what we can do once we clock out. In the wake of the Global Digital…
DetailsThis post was written by Lars Klute, Research Master’s student, University of Amsterdam Interrogating the ‘Global’ What exactly does the ‘Global’ in Global Digital Cultures mean? Staking out this field, the website of the University of Amsterdam’s research priority area Global Digital Cultures (GDC) uses phrases such as “concerns the global variety of daily cultural…
DetailsThis post was written by Gaurika Chaturvedi, Research Master’s student, New Media & Digital Culture, University of Amsterdam What is authentic? This is a question that creators, audiences, advertisers, and researchers all ask themselves. Although that last group is preoccupied with how others perceive authenticity, they also have their own ideas. Due to a bit…
DetailsThis post was written by Niels ten Oever and Maxigas Dunajcsik for Global Digital Cultures On May 14th the IN-SIGHT.it project organized a workshop at the public library (OBA), to invite a larger audience to think about data-flows in the city and the visibility of digital infrastructure. This blog post describes what we learned. The…
DetailsThis post was written by Dylan O’Sullivan, a Research Masters student in New Media and Digital Culture at the University of Amsterdam. I. #CancelSpotify In the words of Bloomberg columnist Lionel Laurent, Spotify is having a “Facebook moment” (Ghosh, 2022). On the 1st of January, a group of scientific and medical professionals published “An Open…
DetailsThis post was written by Sandy Rafaela Krambeck, a Master’s student in New Media and Digital Culture at the University of Amsterdam. Brazil established its Access to Information Law (LAI) in 2012, which opened up possibilities to develop databases that can be subjected to new experiences with Artificial Intelligence (AI). Operação Serenata de Amor (OSA)…
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